Worked on the creative advertising campaign for Kingdom of the Planet of the Apes, contributing to both concept development and production art. Helped translate key visuals into a range of deliverables across digital, print, and out-of-home platforms, ensuring a cohesive and cinematic look that aligned with the film’s tone and branding.

Worked on the CLIO Award-winning advertising campaign for Barbie, collaborating closely with Creative Directors and Art Directors on both the creative development and production execution. Contributed to the visual strategy and rollout across key art, digital, and print assets, helping bring the bold and iconic aesthetic of the film to life.

Worked on the advertising campaign for HBO's Winning Time for two thrilling seasons, developing creative assets that captured the show's dynamic energy and rich storytelling. As a true Lakers fan, this project was especially fun and meaningful—getting to celebrate the Showtime era through design was a dream come true.

Worked on the Broadway musical advertising campaign for King Lear, a typographically rich project that allowed for bold, expressive design choices. The campaign was a lot of fun to work on—translating the intensity and drama of the production into compelling visuals while experimenting heavily with type to reflect the play’s emotional depth.

Collaborated with A24 Films on the advertising campaign for Tuesday, a uniquely creative and fun project that allowed for strong visual storytelling. I had the opportunity to control the color palette and background treatments throughout the campaign, helping to shape a cohesive and emotionally resonant aesthetic that aligned with the film’s tone and themes.

I collaborated closely with music producer A-Frame to create surreal imagery that perfectly matches his forward-thinking, sonically hyper-futuristic bass music. Drawing inspiration from surrealist masters like Dalí and Magritte, we crafted visuals that blend dreamlike elements with cutting-edge aesthetics, resulting in a striking and imaginative visual identity that complements the innovative soundscapes of his work.

Worked on the advertising campaign for Broadway's To Kill a Mockingbird, a project that was heavily type-driven and required a thoughtful, restrained design approach to honor the story’s legacy. It was incredibly rewarding to see the final work featured in The New York Times Arts section and prominently displayed at the iconic Shubert Theatre—bringing the campaign to life in such meaningful spaces made the experience especially memorable.

Worked on the advertising campaign for Broadway’s remake of West Side Story, where the bold and emotionally charged imagery played a key role in making the campaign so impactful. The visuals captured the raw energy and passion of the production, while also celebrating its rich cultural diversity. It was an inspiring project to be a part of—honoring a classic through a modern, inclusive lens that resonated with both longtime fans and new audiences.

I had the opportunity to work on the advertising campaign for The Woman King, which was a dynamic and creatively fulfilling project. The campaign was a lot of fun to be part of, especially in bringing the bold, cinematic energy of the film to life through design. The rich orange tones used in the key art played a powerful role in elevating the sense of battle and intensity, adding warmth and drama that echoed the film’s strength and spirit.

Worked on the advertising campaign for Chris Rock’s Ego Death Tour, contributing to the creative development of promotional materials. I explored photo manipulation techniques to enhance key visuals, adding a surreal and stylized edge that aligned with the tour’s bold and introspective tone.

Worked on the advertising campaign for Broadway’s Who’s Afraid of Virginia Woolf?, where a striking two-color palette was key to the overall visual impact. The simplicity of the design allowed the intensity of the story to come through, making the graphics—and the campaign—really stand out. It was a great exercise in restraint, proving how minimal design choices can still deliver powerful results.

Worked on the advertising campaign for Netflix’s Good Grief, written and directed by Daniel Levy. It was a pleasure to help shape the visual tone of the film, especially through the use of a soft yellow in the color palette, which added warmth and charm fitting for a romantic comedy. The campaign balanced emotion and elegance, capturing the film’s heartfelt narrative with a light, inviting aesthetic.

I worked on the adaptive design for I'm No Longer Here during its “For Your Consideration” awards campaign, creating a range of visually cohesive assets that reflected the film’s raw emotional tone and vibrant cultural backdrop. From digital banners to print and out-of-home formats, I ensured the core visuals remained consistent while tailoring each piece to fit specific platforms and audiences. My goal was to preserve the film’s spirit—its sense of isolation, identity, and rhythm—while elevating its presence during a competitive awards season.

I worked on the adaptive design for The Queen’s Gambit during the height of its awards season run, developing creative assets for the “For Your Consideration” campaign. As the series gained critical acclaim and multiple nominations, I helped translate the show’s visual identity across various formats—including digital, print, and out-of-home—while maintaining the elegance and psychological tension of its original aesthetic. Every design was crafted to capture the sophistication of the series and appeal to industry voters, contributing to a cohesive and impactful promotional presence during its awards push.

Worked on the advertising campaign for HBO’s Santa Inc., a fun and unique project centered around stop-motion animation. Collaborating on visuals for a world built in miniature was creatively refreshing, and the hilarious script by Seth Rogen and Sarah Silverman made the process even more enjoyable. Their sharp, irreverent humor brought the campaign to life and made it a blast to work on from start to finish.

I was fortunate enough to work on the advertising campaigns for several Emmy-nominated TV shows in 2020, contributing to the "For Your Consideration" efforts that celebrated standout programming. Notably, I worked on campaigns for The Not Too Late Show with Elmo and Legendary, both of which brought their own unique energy and style. It was a rewarding experience to help craft promotional materials that highlighted the creativity and impact of these shows during awards season.

Had the opportunity to work on the For Your Consideration – 2020 advertising campaigns for standout HBO shows including Barry, Succession, and Westworld. Each campaign required a unique visual approach to reflect the tone and style of its series—whether capturing the sharp wit of Barry, the sleek intensity of Succession, or the futuristic complexity of Westworld. It was a rewarding experience to contribute to award-season campaigns for such critically acclaimed and culturally impactful shows.

I worked on the 2022 “For Your Consideration” campaign for multiple HBO shows, including Succession, Euphoria, and Curb Your Enthusiasm, among others. My role involved creating adaptive design assets that captured each show's unique tone while aligning with the overall HBO awards campaign strategy. From digital executions to print collateral, I helped bring these critically acclaimed series to life visually during a high-profile Emmy season.

Worked on the advertising campaign for Broadway’s The Lehman Trilogy, a visually refined project that matched the production’s epic storytelling and historical depth. The campaign required a sophisticated design approach, balancing strong typography with a minimalist aesthetic to reflect the play’s themes of legacy, ambition, and financial empire. It was an honor to contribute to such a critically acclaimed and visually striking production.

Worked on the advertising campaign for A Quiet Place: Day One, where I explored a range of visual angles to capture the suspense and intensity of this gripping thriller. From experimenting with dramatic perspectives to emphasizing atmospheric tension, the goal was to reflect the film’s eerie tone while building anticipation. It was an exciting challenge to create visuals that felt both cinematic and unsettling, in line with the franchise’s signature style.

Worked on the Clio Award-winning advertising campaign for Broadway’s The Music Man, a project that beautifully blended classic charm with modern sophistication. The typography played a central role—elegant, timeless, and carefully crafted to reflect the spirit of the production. It was an honor to contribute to a campaign that not only resonated with audiences but also earned recognition for its creative excellence.

Worked on the advertising campaign for Hillary and Clinton, where the use of handwritten typography added a personal and authentic touch to the visuals. Incorporating iconic campaign buttons helped create a striking and memorable design that echoed the spirit of political history and grassroots energy. The combination of these elements made for a bold campaign that stood out and resonated deeply with audiences.

Worked on the advertising campaign for the final season of Westworld, a visually rich and conceptually layered project. Focused on capturing the show’s sleek, futuristic aesthetic while highlighting the emotional intensity of its concluding chapter. It was an exciting challenge to help bring closure to such an iconic series through bold, cinematic visuals that honored its legacy and complex narrative.

Worked on the advertising campaign for Where the Crawdads Sing, where I played a key role in compositing images to create a beautifully surreal visual finish. By blending natural elements with atmospheric textures, I helped craft a look that reflected the film’s haunting tone and lyrical storytelling. The result was a campaign that felt both dreamlike and emotionally grounded, capturing the essence of the story through artful design.

Worked on the Ghostbusters: Frozen Empire advertising campaign, where I had the exciting opportunity to develop a theatrical standee from concept to final execution. Collaborated closely with the client throughout the process—brainstorming ideas, refining layouts, and bringing the iconic Ghostbusters energy to life in a bold, dimensional display that captured the film’s icy, supernatural vibe.

Worked on the advertising campaign for Babylon, contributing to the creation of a visually stunning and energetic campaign under the guidance of my creative director. I was responsible for meticulously masking images, allowing for layered compositions that brought the film’s wild, larger-than-life aesthetic to the forefront. It was an exciting and rewarding project that combined technical precision with bold, cinematic storytelling.

Worked on the advertising campaign for the animated Garfield film—a truly fun and nostalgic project for me as a longtime fan of the lasagna-loving cat. I had a great time composing all the illustrated elements, bringing playful energy and charm to the visuals. It was a joy to contribute to a campaign that captured the humor and heart of a character I’ve loved since childhood.

Worked on the advertising campaign for Bullet Train, a high-energy, action-packed film that demanded equally bold and dynamic visuals. The goal was to match the film’s fast-paced, adrenaline-fueled tone with impactful artwork that grabbed attention and conveyed the chaos and style of the story. From vibrant color choices to striking compositions, every design element was crafted to deliver maximum punch.

I worked on the production for a couple of train wraps promoting Spider-Man: Across the Spider-Verse and Venom, ensuring the artwork was built precisely to spec for large-scale transit installation. This involved carefully adapting key art to fit complex train dimensions while maintaining visual impact and clarity across moving surfaces. It was a rewarding experience to see the final designs brought to life—riding through the city and transforming everyday transit into cinematic moments.

Worked on the advertising campaign for A24’s Past Lives, a visually delicate and emotionally rich project. I helped shape the campaign using a soft pastel color palette that beautifully conveyed the film’s romantic drama and sense of longing. The subtle hues and restrained design choices allowed the emotional depth of the story to shine through, resulting in a campaign that felt both intimate and timeless.

In my spare time, I enjoy creating collage art as a personal form of expression and exploration. Influenced by surrealistic artists like Salvador Dalí and René Magritte, I’m drawn to the unexpected juxtapositions and dreamlike imagery that define the genre. Whether working with found images or layering my own visuals, I like to build scenes that challenge perception and spark curiosity—it's a fun and imaginative outlet that keeps my creativity sharp.

Worked on a very special advertising campaign for A24’s The Whale, an emotionally powerful film that went on to receive Academy Award recognition. Contributing to this campaign was both an honor and a deeply meaningful experience. The visuals were crafted with care and sensitivity to reflect the film’s raw humanity and intimate storytelling. It was a privilege to help support such an impactful and award-winning project.

Worked on the advertising campaign for Wes Anderson’s Asteroid City, a truly fun and inspiring project. As a longtime fan of Anderson’s distinct visual style and storytelling, it was a dream to contribute to a world so full of color, symmetry, and charm. Helping bring the campaign to life through carefully crafted design elements was both a creative challenge and a personal highlight.

Worked on the advertising campaign for Nathan Lane’s Gary: A Sequel to Titus Andronicus, a bold and unconventional Broadway production. It was an honor to incorporate Ralph Steadman’s striking and expressive illustration into the campaign—his iconic style brought a raw, chaotic energy that perfectly matched the tone of the show. Designing around such inspiring artwork made the project both creatively fulfilling and truly memorable.

Worked on the advertising campaign for HBO’s And Just Like That, where I played a key role in composing the visuals with careful attention to detail. I meticulously masked out each individual character and thoughtfully integrated floral arrangements into the composition to create a striking and elegant campaign. Collaborated closely with art directors and photo retouchers throughout the process to ensure a polished and cohesive final product that captured the show's sophisticated tone and modern revival.

It’s been an honor to work on the long-running advertising campaign for Broadway’s The Book of Mormon. Primarily focused on production and adaptive design, I’ve enjoyed contributing to the campaign’s ongoing success over the years. Being part of a project with such lasting impact and consistent audience appeal has been both rewarding and inspiring.

Worked on a clean and minimal layout for the film When You Finish Saving the World, focusing on a simple yet effective type execution paired with a compelling film still. The design approach allowed the emotion of the imagery to take center stage, while the understated typography complemented the film’s tone and narrative. It was a subtle but impactful way to visually represent the story.

Worked on the advertising campaign for the film Women Talking, where I was responsible for executing all the breakouts for out-of-home and theatrical display. From large-scale formats to in-theater visuals, I ensured the creative remained cohesive and impactful across every platform. It was an honor to contribute to such a powerful and thought-provoking film, translating its emotional depth into compelling visual design.

I was fortunate enough to work on the Broadway musical Some Like It Hot, a vibrant and exciting project that brought a classic story to life with a fresh new energy. The updated rendition inspired a bold and dynamic approach to the key art, allowing for a creative refresh that honored the original while embracing a modern, playful spirit. It was a joy to be part of reimagining such an iconic title for today’s stage.

Worked on the advertising campaign for The Tragedy of Macbeth, a visually striking project that leaned heavily into surreal design elements to match the film’s stark, atmospheric tone. The campaign embraced minimalism, high contrast, and dreamlike compositions to reflect the psychological intensity and haunting beauty of the story. It was a powerful experience to contribute to a campaign that pushed visual boundaries and captured the essence of Shakespeare’s dark classic in such a bold, modern way.

Worked on the advertising campaign for HBO’s One Perfect Shot, where I contributed to the overall visual composition under the guidance of my creative director. I helped with the color treatment to ensure a cinematic and cohesive look, carefully placing typography and positioning characters within the frame to highlight the essence of the series. The goal was to honor the art of filmmaking with a layout as intentional and impactful as the shots the show celebrates.

Worked on the advertising campaign for HBO’s The Baby, where I had the unique opportunity to originate the concept from scratch. The visual direction began as a series of sketch drawings I created, exploring tone, mood, and layout. Through collaboration and refinement, those initial sketches evolved into the final executed campaign. It was incredibly rewarding to see an idea I developed from concept take shape into a fully realized, visually striking campaign.